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MIGUEL PAREDES | MOLLY IS NOT A HIPSTER

MIGUEL PAREDES | MOLLY IS NOT A HIPSTER

Opening reception: May 4, 2013 | 8 - 11pm
Show runs: May 4 - 18, 2013

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
info@knowngallery.com

Los Angeles - New York native and Miami resident Miguel Paredes is a prolific visual artist who continues to create amazing work inspired by his urban experience, whether it’s in New York City, South Beach, or Los Angeles. Miguel grew up with pop art - anime, Batman & Robin, and Warhol - and began painting trains in the late 1970s during the peak of New York City’s graffiti explosion. A master of many mediums, today Miguel brings them all out in one painting, creating very bright, friendly, and in your face artwork that speaks to new and old generations of collectors and art aficionados.


MOLLY’S NOT A HIPSTER is a new series of mixed media paintings deeply connected to his time spent living in Los Angeles this last year. The music culture, Hollywood, and the younger artists inside his circle of influence helped create the ideas that informed this new art work. His paintings have strong compositions combining original characters and cool mature cartoon characters such as Rocky & Bullwinkle, while retaining his signature urban and very grungy detailed backgrounds. With an eye and sensibility towards visceral attraction and creating conversation, Miguel invites both the trained audience and recreational users to enjoy his artwork.


Kyle William Harper is an urban artist from Torrance, California. Inspired by the world he lives in and the places he’s traveled, Kyle’s new series of work is an incredibly layered look at how deep the human experience is. The multi-media paintings use vintage and contemporary symbols and images to invoke thought and even perhaps change in human behavior. Kyle’s travels and relationships with people have influenced a need in him to leave behind meaningful work that comments on American culture and creates a global perspective on life.


Miguel and Kyle share interests in community and environment, and use pop imagery, caricature, and explosive colors to make a very strong statement about urban behavior and lifestyle. Their collaborative pieces reinforce the way the world around them impacts how they communicate and what they see in people.


SUPERMODELS SUITE is a collaborative series of mixed media paintings created by Miguel and pioneering pop artist, Ronnie Cutrone. Well known for his large-scale paintings of Felix the Cat, Ronnie was Andy Warhol’s immediate assistant at the Factory from 1972 - 1980, and is Miguel’s long time friend and mentor. Ronnie was influential to Miguel’s color palette, and inspired his use of bright and fluorescent colors.

27.Apr.13 3 weeks ago

SNORRI STURLUSON | LAUNDROMAT

SNORRI STURLUSON LAUNDROMAT
Opening reception: April 13, 2013 | 8 - 11pm
Show runs: April 13 - 27, 2013

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
info@knowngallery.com

“For all its squalor and despair, the laundromat has held a curiously elevated status in the global mind. Things happen in laundromats. People get hurt. People hide. People see God. People fall in love. People go nuts. People make plans. Or so TV and film have led us to believe for the last 40 years. Snorri Sturluson is certainly no exception to the laundromat’s allure. When he moved to New York City in 2001 he was smitten with their charm. It was, Sturluson said, as if everything he’d learned about America over the years had contracted in a brilliant epiphany. The laundromat contains the loneliness and pathos in the films of Jim Jarmusch, the mysterious lack that pervades the prose of Paul Auster, the shade of Weltschmertz in the songs of Tom Waits, and the city’s sense of gritty despair and taunting possibility that have drawn so many millions to it. There were literally thousands of laundromats in New York City. A few photos would be too many, but hundreds hardly enough.

Taken over a period of four years and representing all five of the city’s boroughs, the photographs in Laundromat constitute a portrait in montage. They present, as well, a history, an anthropology, and a sociology, an imagistic commentary on the economics and politics of America itself. Laundromat is an homage, on the one hand, to laundromats and the people who use them, and an elegy, on the other, to an America that used to be.”

“Laundromat” is available as a 160 page photography book from powerHouse Books featuring an essay by D. Foy.

27.Apr.13 3 weeks ago
16.Apr.13 1 month ago